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one block, layered

17 s · 100 bpm · a motif, then voices stacked on top

one block, layered 17 s · 100 bpm · a motif, then voices stacked on top
0:00 / 0:17
↓ wav ↓ midi

One short motif stated alone, then stacked against itself — an octave below for weight, a third above for harmony, an octave above for sparkle — each pass adding a voice as the texture thickens. The voices are layered as audio, summed into one sound, not arranged onto separate tracks: the concurrent counterpart to playing sounds in turn.

↓ Download MP3 ↓ WAV (lossless)

One block, layered into one sound.

A short motif:

motif: 1 3 5 8 5 3

Played once, it’s a single voice. Now stack the same motif against itself — an octave below for weight, a third above for harmony, an octave above for sparkle — and add the whole clips together into one:

layer: [lead, bass, harmony]      # three voices, summed → one sound

Each pass adds a voice and the texture thickens; the piece builds lead → +bass → +harmony, rides the full groove, then a final octave lift lands on top. Nothing is arranged onto separate tracks — the layering happens as audio, by adding the waveforms, the way a mixing console sums voltages or air pressure superposes at your ear.

The supporting voices aren’t new material: the bass and the lift are the same motif read an octave away, and the harmony is that motif transposed a third. One block, read several ways, then added together. Playing sounds in turn lays them end to end; this lays them on top of each other — the same motif, heard all at once.