One more voice, ducking in lockstep
Same kick-and-pad pump, now with a walking sub-bass moving through chord tones over a I–IV–I–V progression. The bass line is just degrees, arpeggiated:
# the bass line — degrees, up and back
1 3 5 8 8 5 3 1
read as a cycle through the chord of the moment in A major. And the bass
carries the same sidechain compressor the pad does:
fx_chain:
- pad-pump # the kick ducks the bass too
So kick, pad, and bass all breathe together — the kick reaches across every voice at once. The groove is a single routing decision, applied in one place.