A finished track is the same idea, at scale
Everything in the gallery is one or two lines of data given meaning by a scale or a voicing. This — four and a half minutes, dozens of voices, mixed and mastered — is the same idea, just larger: every part is written as text and rendered down to a single master.
The closing coda is one melodic line:
# the coda theme — sixteen steps, pure degrees
1 3 5 8 7 5 3 2 1 3 5 8 7 5 3 1That single arch of integers, read against the track’s scale and voiced on a pair of pianos, is what ends the piece. No note is stored as a frequency — each is a degree, projected through the key. The whole track is built this way, all the way up through the studio-grade master chain that glues the final mix. What you hear is exactly what was written.